LAURA OWENS

• Born, Euclid, OH

Lives and works in Los Angeles

Education

• B.F.A. Rhode Island School of Design, Providence, RI
1994
• Skowhegan School of Painting and Sculpture, Skowhegan, ME
1994
• M.F.A. California Institute of the Arts, Valencia, CA

• Art Basel, Basel, Switzerland

• Galerie Gisela Capitain, Cologne, Germany

• Laura Owens: Rerun, The Cleveland Museum of Art, Cleveland, Ohio
• Laura Owens & Vincent van Gogh, Fondation Vincent van Gogh, Arles, France (cat.)

• House of Gaga, Mexico City, Mexico

• Books and Tables, Matthew Marks Gallery, Los Angeles, California
• Isabella Stewart Gardner Museum, Boston, Massachusetts
• Gavin Brown’s enterprise, Sant’Andrea De Scaphis, Rome, Italy

• Dallas Museum of Art, Dallas, Texas (cat.)
• Museum of Contemporary Art, Los Angeles, California (cat.)

• The Whitney Museum of American Art, New York, New York (cat.)

• Artissima, Torino, Italy
• Sadie Coles HQ, London, United Kingdom
• Ten Paintings, CCA Wattis Institute for Contemporary Arts, San Francisco, California (cat.)

• Capitain Petzel, Berlin, Germany
• Soccer Club Club, Chicago, Illinois
• Zona Maco, Mexico, D.F.
• Secession, Vienna, Austria (cat.)

• 12 Paintings by Laura Owens and Ooga Booga #2, 356 S. Mission Rd., Los Angeles, California (cat.)
• FIAC, Paris, France

• The Finley, Los Angeles, California
• Karma, New York, New York (cat.)
• Pavement Karaoke / Alphabet, Sadie Coles HQ, London, United Kingdom
• Art Unlimited, Basel, Switzerland

• Kunstmuseum Bonn, Germany (cat.)
• Galerie Gisela Capitain, Cologne, Germany
• New Etchings, Crown Point Press, San Francisco, California

• Gavin Brown's enterprise, New York, New York

• Sadie Coles HQ, London, United Kingdom
• Works on Paper, ACME, Los Angeles, California
• Gavin Brown’s enterprise (620A), New York, New York

• American Academy, Berlin, Germany
• Studio Guenzani, Milan, Italy
• Bonnefanten Museum, Maastricht, the Netherlands
• Kunsthalle Munster, Germany

• Gavin Brown's enterprise, New York, New York
• Camden Arts Centre, London, United Kingdom (brochure)
• Kunsthalle Zurich, Switzerland (cat.)
• Douglas Hyde Gallery, Dublin, Ireland (cat.)
• Sadie Coles HQ, London, United Kingdom

• Shiseido Gallery, Tokyo, Japan (cat.)

• Galerie Gisela Capitain, Cologne, Germany
• Museum of Contemporary Art, North Miami, Florida
• Fabric Workshop and Museum, Philadelphia, Pennsylvania
• Gavin Brown’s enterprise, New York, New York
• Crown Point Press, San Francisco, California

• Milwaukee Art Museum, Milwaukee, Wisconsin
• Aspen Art Museum, Colorado
• The General Store, Milwaukee, Wisconsin
• Museum of Contemporary Art, Los Angeles, California (cat.)

• Isabella Stewart Gardner Museum, Boston, Massachusetts (cat.)
• ACME (with Martin Kersels), Los Angeles, California

• New Work by Laura Owens (1999) and John Hutton Balfour’s Bioteaching Diagrams 1840-1879, Inverleith, Royal Botanical Garden, Edinburgh, Scotland (cat.)
• Studio Guenzani, Milan, Italy

• Sadie Coles HQ, London, United Kingdom
• Galerie Gisela Capitain, Cologne, Germany
• Statements, Gavin Brown's enterprise, Art Basel, Basel, Switzerland
• Heaven and Hell (collaboration with Scott Reeder), China Art Objects, Los Angeles, California

• Patrick Painter (with Jorge Pardo), Santa Monica, California
• Studio Guenzani (with Sharon Lockhart), Milan, Italy
• Gavin Brown's enterprise, New York, New York
• ACME, Los Angeles, California
• Crown Center Gallery, Loyola University of Chicago, Chicago, Illinois

• Sadie Coles HQ, London, United Kingdom
• Gavin Brown’s enterprise, New York, New York

• Studio 246 (with Lisa Anne Auerbach), Kunstlerhaus Bethanien, Berlin, Germany

• Rosamund Felsen Gallery, Santa Monica, California

• Paintings

• Early Work

• The End, Mint Gallery, California Institute of the Arts, Valencia

• Books: A Group Exhibition, Paula Cooper Gallery, New York, New York
• Devotion, House of Gaga, Guadalajara, Mexico
• Halfway to Sanity: Inaugural Group Exhibition, The Pit, Los Angeles, California
• Day for Night: New American Realism, National Gallery of Ancient Art, Palazzo Barberini, Rome, Italy
• Overserved, Miles McEnery Gallery, New York, New York
• Sweet Sixteen, Capitain Petzel, Berlin, Germany
• Between Pixel and Pigment, Kunsthalle Bielefeld, Bielefeld, Germany
• All I Eat in a Day, Kunst Halle Sankt Gallen, St. Gallen, Switzerland
• Group Exhibition, Matthew Marks Gallery, New York, New York
• Flowers of Romance, A Show in Two Acts: Day and Night, Lodovico Corsini, Brussels, Belgium
• The Living End: Painting and Other Technologies, 1970 - 2020, MCA Chicago, Illinois

• I’ll Be Your Mirror: Art and the Digital Screen, Modern Art Museum of Fort Worth, Fort Worth, Texas (cat.)
• Together in Time: Selections from the Hammer Contemporary Collection, The Hammer Museum, Los Angeles, California
• To Bend the Ear of the Outer World: Conversations on contemporary abstract painting, Gagosian Gallery, London, UK (cat.)
• Capturing the Moment, Tate Modern, London, United Kingdom (cat.)
• Wishing Well, Parker Gallery, Los Angeles, California
• Drunk vs. Stoned 3, The Ranch at The Dock, Montauk, New York
• Some Trees, The Floating Gallery, Los Angeles, California
• Paraventi: Folding Screens from the 17th to 21st Centuries, Fondazione Prada, Milan, Italy (cat.)
• Making Their Mark, Shah Garg Foundation, New York, New York (cat.)
• L’Atelier du Sud, Fondation Vincent Van Gogh, Arles, France
• Colección Jumex: Everything Gets Lighter, Museo Jumex, Mexico City, Mexico (cat.)

• Christen Sveaas Art Foundation: The Travel Bureau, Whitechapel Gallery, London

• Repeater, Sadie Coles HQ, London
• INFORMATION (Today), Astrup Fearnley Museet, Oslo, Norway (cat.)
• Courage Before Expectation, FLAG Art Foundation, New York, New York
• Drawing Together: 201 Exquisite Corpses, Museum im Bellpark, Kriens, Switzerland

• Narrative Terrain: Landscape as Storytelling, The Fabric Workshop and Museum, Philadelphia, Pennsylvania

• Drawing Down the Moon, The Hammer Museum, Los Angeles, California

• Nothing is to be Done for William T. Wiley, Parker Gallery, Los Angeles, California

• The Painter's New Tools, Nahmad Contemporary, New York, New York (cat.)

• Making a Painting, Matthew Marks Gallery, Los Angeles, California
• Open Storage: 25 Years of Collecting, The Warehouse, Dallas, Texas
• inner dims, Sifang Art Museum, Shanghai, China
• A Maze Zanine, Amaze Zaning, A-Mezzaning, Meza-9, David Zwirner Gallery, New York, New York
• Post-Capital, Kunsthal Charlottenborg, Copenhagen, Denmark (cat.)
• Dark Light : Realism in the Age of Post-Truths, Aïshti Foundation, Beirut, Lebanon (cat.)

• Art of Sport, Contemporary Copenhagen, Copenhagen, Denmark

• INFORMATION (Today), Kunsthalle Basel, Basel, Switzerland (cat.)
• The negative version of the official version of things, Balice Hertling, Paris, France

• Post-Capital, Mudam Luxembourg, Musée d'Art Moderne Grand-Duc Jean, Luxembourg City, Luxembourg (cat.)

• The Youngest Day, Carlier | Gebauer, Berlin, Germany (cat.)

• The Going Away Present, Kristina Kite Gallery, Los Angeles, California
• Water, Crown Point Press, San Francisco, California

• Duro Olowu: Seeing Chicago, Museum of Contemporary Art, Chicago, Illinois

• Portable Documents for Home Use, Bel Ami, Los Angeles, California
• It's Urgent!, Luma Foundation, Parc Des Ateliers, Arles, France (cat.)
• four corners of the landscape, Gaga & Reena Spaulings, Los Angeles, California

• Infinite Games, Capitain Petzel, Berlin, Germany

• Ice and Fire: A Benefit Exhibition in Three Parts, The Kitchen, New York, New York

• Flora + Fauna, Sadie Coles HQ, 1 Davies Street, London, United Kingdom
• Forever Young - 10 Years of Museum Brandhorst, Museum Brandhorst, Munich, Gemany

• Artists For The Hammer Museum, UTA Artist Space, Beverly Hills, California (cat.)

• Artists I Steal From, Galerie Thaddaeus Ropac, London, United Kingdom (cat.)
• Process Context, Art Center College of Design, Pasadena, California
• Less Is a Bore: Maximalist Art & Design, Institute for Contemporary Art, Boston,           Massachusetts (cat.)
• Seven Painters, Greene Naftali Gallery, New York, New York

• Nurikabe, Tetsuo's Garage, Nikko-shi, Tochigi-ken, Japan

• Oversharing, Friends Indeed Gallery, San Francisco, California

• Computer und Papier, Jahn und Jahn, Munich, Germany

• LA on Fire, Wilding Cran, Los Angeles, California

• From Day to Day, de la Cruz Collection, Miami, Florida

• Experimental Flea Market, Tin Flats, Los Angeles, California

• One Hundred Drawings, Matthew Marks Gallery, New York

• Art in the Age of the Internet, 1989 to Today, Institute for Contemporary Art, Boston, Massachusetts (cat.)
• Nudes, Sadie Coles HQ, London, United Kingdom
• Thomas Starr King Middle School, Los Angeles, California
• Inherent Structure, Wexner Center for the Arts, Columbus, Ohio
• Vampire’s Kiss, Aspect Ratio, Chicago, Illinois
• The Mechanics of Fluids, Marianne Boesky Gallery, New York, New York
• I Was Raised On The Internet, Museum of Contemporary Art, Chicago, Illinois (cat.)
• Los Angeles Plays Itself, Malaspina Printmakers, Vancouver, Canada
• SHANZINI: Shannon Michael Cane and Printed Matter, Inc., Printed Matter, New York, New York
• Kollector’s Series, K11 chi space, Hong Kong, China
• The Joy of Color, Mnuchin Gallery, New York, New York (cat.)
• West By Midwest, Museum of Contemporary Art, Chicago, Illinois
• Crossroads: Carnegie Museum of Art, 1945 to Now, Carnegie Museum of Art, Pittsburgh, Pennsylvania
• A Time Capsule Revisited: A New Installation of Works Made by Women for Parkett, 1984 - 2017, Parkett Exhibition Space, Zurich, Switzerland

• Depuis le temps, Galerie Mezzanin, Geneva, Switzerland
• Infected Foot, Greene Naftali Gallery, New York, New York
• Chapters: Book Arts in Southern California, Craft & Folk Art Museum, Los Angeles, California
• Vanishing Points, James Cohan Gallery, New York, New York
• Zeitgeist, Musée d’art Modern et Contemporain, Geneva, Switzerland
• Tomorrow Will Still Be Ours, Gavin Brown's enterprise, New York, New York
• The Florine Stettheimer Collapsed Time Salon, The Armory Fair, New York, New York
• .com/.cn, The K11 Art Foundation Pop-Up Space, Sheung Wan, Hong Kong (cat.)
• Animal Farm, The Brant Foundation, Greenwich, Connecticut
• The Brightsiders, Verge Center for the Arts, Sacramento, California (cat.)
• Landscapes: Urban & Rural, Crown Point Press, San Francisco, California
• Trick Brain, Aïshti Foundation, Beirut, Lebanon (cat.)
• A Spaghetti Dress for World Peace, Park View, Los Angeles, California
• made on the table, Sadie Coles, London, United Kingdom
• Active Ingredients: Prompts, Props, Performance, Williams College Museum of Art, Williamstown, Massachusetts
• Pivotal: Highlights From The Collection, Orange County Museum of Art, Newport Beach, California
• Social Surfaces, Artists Space, New York, New York
• Process and Practice: 40 Years of Experimentation, The Fabric Workshop and Museum, Philadelphia, Pennsylvania
• The New Contemporary, The Art Institute of Chicago, Illinois, December 2017 - March 2018
• Force and Form, de la Cruz Collection, Miami, Florida, December 2017 - November 2018
• Unpacking: The Marciano Collection, Marciano Art Foundation, Los Angeles, California (cat.)

• La collection Thea Westreich Wagner et Ethan Wagner, Centre Pompidou, Paris, France (cat.)
• Administrate, curated by Anthony Huberman, Artspeak, Vancouver, Canada
• L'Almanach 16, Le Consortium, Dijon, France
• Fine Young Cannibals, Friedrich Petzel Gallery, New York, New York (cat.)
• Apeirophobia/Aporia, Human Resources, Los Angeles, California
• Sharon Lockhart, Laura Owens, Frances Stark, The Artist’s Institute, New York, New York
• Los Angeles - A Fiction, Astrup Fearnley Museet, Oslo, Norway (cat.)

• Pretty Raw: After and Around Helen Frankenthaler, Rose Art Museum, Waltham, Massachusetts (cat.)
• Painting after Technology, Tate Modern, London, United Kingdom 
• Collected by Thea Westreich Wagner and Ethan Wagner, The Whitney Museum of American Art, New York, New York (cat.)
• Painting 2.0: Expression in the Information Age, Museum Brandhorst, Munich, Germany (cat.); traveled to MUMOK, Vienna, Austria
• Come As You Are: Art of the 1990s, Montclair Art Museum, New Jersey; traveled to Telfair Museum, Savannah, Georgia; University of Michigan Museum of Art, Ann Arbor; Blanton Museum of Art, Austin, Texas (cat.)
• Call and Response, Gavin Brown’s enterprise, New York, New York
• Doodles, The Vanity Bakersfield, Bakersfield, California
• Open Source: Art at the Eclipse of Capitalism, Galerie Max Hetzler, Berlin, Germany
• best students, best teachers, best school: Michel Majerus, Albert Oehlen & Laura Owens, Michel Majerus Estate, Berlin, Germany
• Storylines: Contemporary Art at the Guggenheim, Solomon R. Guggenheim Museum, New York, New York
• Project X Forum 2: FAR Bazaar, Foundation for Art Resources, 18th Street Arts Center, Santa Monica, California
• Printed Matters, Gesso Artspace, Vienna, Austria 
• Works on Paper, Greene Naftali Gallery, New York, New York
• Can't Reach Me There, curated by Sarah Lehrer-Graiwer, Midway Contemporary Art, Minneapolis, Minnesota (cat.)
• Marks Made: Prints by American Women Artists from the 1960s to the Present, Museum of Fine Arts, St. Petersburg, Florida (cat.)
• No Man’s Land: Women Artists from the Rubell Family Collection, Rubell Family Collection, Miami, Florida (cat.); traveled to National Museum of Women in the Arts, Washington, D.C.
• The World is Made of Stories, Astrup Fearnley Museet, Oslo, Norway

• The Forever Now: Contemporary Painting in an Atemporal World, The Museum of Modern Art, New York, New York (cat.)
• Loveless, Greene Naftali, New York, New York
• Whitney Biennial, Whitney Museum of American Art, New York, New York (cat.)
• Variations: Conversations in and Around Abstract Painting, Los Angeles County Museum of Art, Los Angeles, California
• Painter's Painters: Gifts from Alex Katz, High Museum of Art, Atlanta Georgia
• Nature Study: A Group Exhibition, Crown Point Press, San Francisco, California
• Summer Choices: A Group Show, Crown Point Press, San Francisco California
• Joyride, Marlborough Broome St, New York, New York
• Capture the Rapture, CB1 Gallery, Los Angeles, California
• Persian Rose Chartreuse Muse Vancouver Grey, Equinox Gallery, Vancouver, Canada
• The good, the bad and the ugly, Gesso Artspace, Vienna Austria
• Another Cats Show, 356 S. Mission Rd, Los Angeles, California
• Cornucopia, Parkett Exhibition Space, Zurich, Switzerland
• The Machine Project Field Guide to the Gamble House, Gamble House, Pasadena, California
• Wake Up Early, Fear Death, curated by Philipp Kaiser. Galerie nächst St. Stephan Rosemarie Schwarzwälder, Vienna, Austria
• Death Ship: A Tribute to H.C. Westermann, The Pit, Los Angeles, California (cat.)

• Mutual Appreciation Society, The Los Angeles Mart, Los Angeles, California
• Working Proofs: A Revelation, Crown Point Press, San Francisco, California
• Yes, No, Maybe: Artists Working at Crown Point Press, National Gallery of Art, Washington D.C. (cat.)
• Selections from the Venice Beach Biennial, Echo Park Film Center, Los Angeles, California
• Abstract - Nature: Selected Parkett Artists' Editions, 1984-2013, Parkett Space, Zurich, Switzerland
• Made in Space, curated by Peter Harkawick and Laura Owens, Venus Over Manhattan / Gavin Brown's Enterprise, New York, New York
• The Cat Show, White Columns, New York, New York
• Wir Drei, Guggenheim Gallery, Chapman University, Orange, California
• Small Gems, Crown Point Press, San Francisco, California
• Finisce e Continua uno, Gesso Artspace, Vienna, Austria

• Things, Words and Consequences, Moscow Museum of Modern Art, Moscow, Russia
• Curatorial Exchange, Irvine Fine Arts Center, Irvine, California
• The Holodeck, PØST, Los Angeles, California
• Pure Perception, Monica De Cardenas Galleria, Milan, Italy
• Pittura [1995-2009], Studio Guenzani, Milan, Italy
• PRINT IMPRINT, Actual Size Los Angeles and Cirrus Gallery, Los Angeles, California
• Nudes Painting Show, 3704 North Figueroa, Los Angeles, California
• Looking Back for the Future, Kunsthalle Zurich, Switzerland
• Natural History, Carnegie Museum of Art, Pittsburgh, Pennsylvania

• The Cactus Painting Show, 3704 North Figueroa, Los Angeles, California
• From Where You Just Arrived, Pepin Moore, Los Angeles, California
• The Boy Who Robbed You a Few Minutes Before Arriving At the Ball, Gisela Capitain, Cologne, Germany
• A Painting Show, Harris Lieberman. New York, New York
• The Spectacular of Vernacular, Walker Art Center, Minneapolis (cat.); traveled to Contemporary Arts Museum Houston; Montclair Art Museum, Montclair; Ackland Art Museum, North Carolina
• Painting Between the Lines, CCA Wattis Institute for Contemporary Arts, San Francisco, California (cat.); traveled to the Williams College Museum of Art, Williamstown, Massachusetts
• Happy Holidays! Drawings!, Alex Zachary Peter Currie, New York, New York
• Looks on Paper, Ditch Projects, Springfield, Oregon

• At Home/Not at Home, CCS Bard Hessel Museum of Art, New York, New York (cat.)
• Hecate’s Lab, Senior & Shopmaker Gallery, New York, New York
• Ordinary Madness, Carnegie Museum of Art, Pittsburgh, Pennsylvania (cat.)
• The Artist's Museum, Museum of Contemporary Art, Los Angeles, California
• Painting and Sculpture: Exhibition to Benefit the Foundation for Contemporary Arts, Lehmann Maupin, New York, New York

• 15 Year Gallery Artist Group Exhibition, ACME, Los Angeles, California
• Art Tells the Times, Works by Women Artists, Shiseido Gallery, Tokyo, Japan (cat.)
• The Still Life Show, Five Thirty Three, Los Angeles, California; traveled to Mile Post 5, Portland, Oregon
• Continuous Present, curated by Jennifer Gross, Yale University Art Gallery, New Haven, Connecticut (brochure)
• Hello, Mrs. MacGruder, curated by Michele Maccarone, Benson Keyes Arts, Southampton, New York
• Slow Paintings, Museum Morsbroich, Leverkusen, Germany (cat.)
• Collection: MOCA’S First Thirty Years, Museum of Contemporary Art, Los Angeles, California
• BROODWORK: Creative Practice and Family Life, Center for the Arts Eagle Rock, Los Angeles, California
• Rob Pruitt's Flea Market, The Tate Modern, London, United Kingdom

• Biënnale van de Schilderkunst, Museum Dhondt-Dhaenens, Deurle, Belgium (cat.)
• Blasted Allegories, Works from the Ringier Collection, Kunstmuseum Luzern, Lucerne, Switzerland (cat.)
• Pretty Ugly, Gavin Brown’s enterprise and Maccarone, New York, New York
• Painting Now and Forever Part II, Greene Naftali Gallery and Matthew Marks Gallery, New York, New York
• Living Flowers: Ikebana and Contemporary Art, Japanese American National Museum, Los Angeles, California (cat.)
• Landscapes of the Mind: Art Collection of the United States Embassy, US Embassy, Beijing, China (cat.)
• Tapestry, Karin Lovegrove Gallery, Los Angeles, California
• Collecting Collections: Highlights from the Permanent Collection of the Museum of Contemporary Art, Los Angeles, California (cat.)

• Counterparts: Contemporary Painters and Their Influences, Contemporary Art Center of Virginia, Virginia Beach (cat.)
• Poets on Painters, Ulrich Museum of Art, Wichita State University, Wichita, Kansas (cat.)
• Legends Altered: Maps as Method and Medium, Carrie Secrist Gallery, Chicago, Illinois

• Exquisite Acts and Everyday Rebellions: 2007 CalArts Feminist Art Symposium and Exhibition, CalArts, Valencia, California

• Sequence 1: Painting and Sculpture from the Francois Pinault Collection, Palazzo Grassi, Venice, Italy (cat.)

• Something About Mary, Orange County Museum of Art, Newport Beach, California

• 2007 Royal Academy Summer Exhibition, Royal Academy of Arts, London, United Kingdom (cat.)
• Affinities: New Acquisitions Deutsche Bank Collection, 1997-2007, Deutsche Guggenheim, Berlin, Germany (cat.)
• Very Abstract and Hyper Figurative, Thomas Dane Gallery, London, United Kingdom (cat.)
• Summer Show, Sadie Coles HQ, London, United Kingdom

• Hotel California, Glendale College Art Gallery, Glendale, California
• The Garden Party, Deitch Projects, New York, New York
• All the Best: The Deutsche Bank Collection and Zaha Hadid, Singapore Art Museum, Singapore
• Blind Date, Galerie Kunstforum, Altes Haus, Seligenstadt, Germany (cat.)
• The Art of Etching at Crown Point Press, Bobbie Greenfield Gallery, Santa Monica, California (cat.)
• Essential Painting, National Museum of Art Osaka, Japan (cat.)
• Opere su Carta: Margherita Manzelli, Aleksandra Mir, Laura Owens, Alessandro Pessoli, Danica Phelps, Studio Guenzani, Milan, Italy
• Red Eye: L.A. Artists from the Rubell Family Collection, Rubell Family Collection, Miami, Florida (cat.)

• The Fluidity of Time: Selections from the MCA Collection, Museum of Contemporary Art, Chicago. Illinois
• After Cezanne, Museum of Contemporary Art, Los Angeles, California
• Drawn to Cleveland, Museum of Contemporary Art, Cleveland, Ohio (cat.)
• Goetz Meets Falckenberg, Sammlung Falckenberg, Hamburg, Germany (cat.)
• 25 Visuell: Deutsche Bank Art, Deutsche Guggenheim, Berlin, Germany (cat.)
• Old News, Los Angeles Contemporary Exhibitions, Los Angeles, California
• Think Blue, Blum and Poe, Los Angeles, California
• Ideal Worlds: New Romanticism in Contemporary Art, Schirn Kunsthalle, Frankfurt, Germany (cat.)
• Extreme Abstraction, Albright-Knox Gallery, Buffalo, New York (cat.)
• Desired Constellations, Daniel Reich Gallery, New York, New York
• plip, plip, plippity!, Richard Telles Fine Art, Los Angeles, California
• Post Modern, Greene Naftali Gallery, New York, New York

• Undiscovered Country, UCLA Hammer Museum, Los Angeles, California (cat.)
• Huts, Douglas Hyde Gallery, Dublin, Ireland (cat.)
• Painting’s Edge, Idyllwild Arts, Idyllwild, California
• Never Never Landscape, curated by Kirsty Bell, Atle Gerhardsen, Berlin, Germany
• Contemporary Painting: Curated by Alex Katz, Colby College Museum of Art, Waterville, Maine (cat.)
• Whitney Biennial, Whitney Museum of American Art, New York, New York (cat.)
• Malerei, Galerie Rolf Hengesbach, Cologne, Germany
• Drunk vs. Stoned, curated by the General Store, Passerby, New York, New York
• The Four Color Pen Show, Locust Project, Miami, Florida

• Inaugural Exhibition, Gavin Brown’s enterprise, New York, New York

• Jessica Stockholder, Table Top Sculpture, Gorney Bravin + Lee, New York, New York

• Painting Pictures: Painting and Media in the Digital Age, Kunstmuseum Wolfsburg, Germany (cat.)

• Drawing Now: Eight Propositions in Contemporary Drawings, Museum of Modern Art, New York, New York (cat.)
• Painting on the move, Kunstmuseum Basel and Museum fur Gegenwartskunst, Basel, Switzerland (cat.)
• Urgent Painting, Musee d’ Art Moderne de la Ville de Paris, Paris, France (cat.)
• Cavepainting: Peter Doig, Chris Ofili, Laura Owens, Santa Monica Museum of Art, Santa Monica, California (cat.)
• Strolling Through An Ancient Shrine and Garden, Acme, Los Angeles, California
• The Dubrow Biennial, Kagan Martos Gallery, New York, New York

• "more! more! more!, " 5117 Eagle Rock Blvd, Los Angeles, California
• The Mystery of Painting, Sammlung Goetz, Munich, Germany (cat.)
• Accumulations, curated by Martin Ball, School of Art Gallery, Kent State University, Ohio
• Some Options in Abstraction, Carpenter Center for the Visual Arts, Harvard University, Cambridge, Massachusetts (booklet)
• Objective Color, Yale University Art Gallery, New Haven, Connecticut
• Cal’s Art: Sampling California Painting, University of North Texas, Denton, Texas
• Bastard (Son of Hot Sauce), The Law Office, Chicago, Illinois
• Public Offerings, Museum of Contemporary Art, Los Angeles, California (cat.)
• Painting at the Edge of the World, Walker Art Center, Minneapolis, Minnesota (cat.)
• Locating Drawing, Lawing Gallery, Houston, Texas
• American Academy Invitational Exhibition of Painting and Sculpture, The American Academy of Arts and Letters, New York, New York
• Lens and Paper: The Beauty of Intimacy, Gemeentemuseum Den Haag, The Hague, Netherlands (cat.)

• On Canvas: Contemporary Painting from the Collection, Guggenheim Museum, New York, New York
• Works on paper from Los Angeles, Studio Guenzani, Milan, Italy
• The Next Wave: New Painting in Southern California, Cal. Center for the Arts, Escondido, California
• Art on Paper, curated by Nancy Doll and Ron Platt. Weatherspoon Art Gallery, The University of North Carolina at Greensboro, Greensboro
• Drawing 2000, Barbara Gladstone Gallery, New York, New York (cat.)
• Works on Paper from Los Angeles, Studio Guenzani, Milan, Italy
• Of the Moment: Contemporary Art from the Permanent Collection, San Francisco Museum of Modern Art, San Francisco, California

• Examining Pictures: Exhibiting Paintings, Whitechapel Art Gallery, London, United Kingdom (cat.); traveled to Museum of Contemporary Art, Chicago, Illinois; UCLA Hammer Museum, Los Angeles, California
• Drawn to Nature, George’s, Los Angeles, California
• Carnegie International 1999/2000, Carnegie Museum of Art, Pittsburgh, Pennsylvania (cat.)
• Standing Still & Walking in Los Angeles, Gagosian Gallery, Los Angeles, California (cat.)
• New Work: Painting Today, San Francisco Museum of Modern Art, San Francisco, California
• Works on paper (and some other things), ACME, Los Angeles, California
• Nach-Bild, Kunsthalle Basel, Basel, Switzerland (cat.)
• The Perfect Life: Artifice in LA 1999, Nasher Museum of Art, Duke University, Durham, North Carolina (cat.)
• Hot Spots, curated by Elizabeth Brown, Weatherspoon Art Gallery, University of North Carolina at Greensboro, North Carolina; traveled to Pittsburgh Center for the Arts, Pennsylvania (cat.)
• Local Color, curated by Virginia Rutledge, The University of La Verne, California
• Pasadena Adjacent, Richard Heller Gallery, Santa Monica, California

• Color Fields, Luckman Fine Arts Gallery, California State University, Los Angeles
• Young Americans 2, The Saatchi Gallery, London, United Kingdom (cat.)
• I’m Still in Love with You, Women’s 20th Century Club, Los Angeles, California
• Visions, XXIX Rencontres Internationales de la Photographie, Arles, France (cat.)
• Exterminating Angel, Galerie Ghislaine Hussenot, Paris, France
• Hello Out There, ACME, Los Angeles, California
• Paintings Interested in the Ideas of Architecture and Design, PØST, Los Angeles, California
• Come and get it while you wait, Hollywood DMV at Cole, Los Angeles, California

• Vertical Painting Show, P.S.1 Museum, New York, New York
• Sharon Lockhart, Laura Owens, Frances Stark, Blum & Poe, Santa Monica, California
• Hot Coffee, Artists Space, New York, New York
• Palace, Beret International Gallery, Chicago, Illinois
• Project Painting, Basilico Fine Arts and Lehmann Maupin, New York, New York (cat.)
• The Eagle Rock Show, Eagle Rock Community Cultural Center, Los Angeles, California
• The Prophecy of Pop, Contemporary Art Center, New Orleans, Louisiana

• Wunderbar, Kunstverein Hamburg, Hamburg, Germany
• Screen, curated by Joshua Decter, Friedrich Petzel Gallery, New York, New York
• The Speed of Painting, Pat Hearn, New York, New York
• Studio 246, Marc Foxx Gallery, Santa Monica, California

• Painting Invitational, Regen Projects, Los Angeles, California
• Smells Like Vinyl, Roger Merians Gallery, New York, New York
• Tell Everyone, Greene Naftali Gallery, New York, New York
• From LA with Love, Galerie Praz-Delavallade, Paris, France

• 8th L.A.C.E. Annuale: Gorgeous Politics curated by Dave Hickey, Los Angeles Contemporary Art Exhibitions, Los Angeles, California; traveled to Temporary Contemporary Gallery, Las Vegas, Nevada
• Thanks Again, Food House, Santa Monica, California
• Playfield, Rio Hondo College, Rio Hondo, California
• Hot Crop, curated by J. Willette, Claremont College, Claremont, California
• Temporary, The Temporary Contemporary, Los Angeles, California

• Paintings, Gallery D300, California Institute of the Arts, Valencia, California
• Childhood Fictions, Gallery D300, California Institute of the Arts, Valencia, California
• Action Reality Transformation, 6161 Santa Monica Blvd, Los Angeles, California

• ANTI (printed) MATTER & L.A. Matter, FAR Bazaar, Los Angeles, CA
• By Location: Leimert Park, Crossroads Art Academy, Los Angeles, CA

• Laura Owens & Vincent Van Gogh, Fondation Vincent Van Gogh, Arles
2018
• Ten Paintings, Gavin Brown's enterprise, New York
2017
• Owens, Laura, Whitney Museum of American Art, New York
• Alphabet, Whitney Museum of American Art, New York
2015
• Laura Owens, Skira Rizzoli, New York
2014
• Twelve Paintings, Ooga Booga, Los Angeles
2012
• Clocks, Karma, New York
2011
• Stefan Gronert (ed.) Laura Owens, exh. cat., Kunstmuseum Bonn; Kerber Verlag; Bielefeld/Leipzig Berlin
2006
• Beatrix Ruf (ed.) Laura Owens, exh. cat. Kunsthalle Zurich; JRP/Rinigier: Zurich
• John Hutchinson (ed.) Laura Owens, exh. cat. The Douglas Hyde Gallery, Dublin
2005
• Laura Owens, exh. cat. Shiseido Gallery, Toyko
2003
• Paul Schimmel (ed.), Laura Owens, exh. cat. Museum of Contemporary Art, Los Angeles
2001
• Pieranna Cavalchini (ed.), Laura Owens, exh. cat. Isabella Stewart Gardner Museum, Boston; Charta: Milan
2000
• Susan Morgan, Henry Noltie (eds.), New Work by Laura Owens (1999) and John Hutton Balfour’s Botanical Teaching Diagrams (1840-1879), exh. cat. Inverleith House, Royal

• Stephi Wild, “Major Abstract Painting Show To Open Across Gagosian’s Mayfair Galleries,” Broadway World, March 7
• Anny Shaw, “Is the figuration boom over? Gagosian to launch major show of abstract artists across London galleries this summer,” The Art Newspaper, March 7
• Hilarie M. Sheets, “Komal Shah, Champion of Female Artists, Works to Raise Their Profiles,” The New York Times, March 22
• Mark Westall, “Warhol, Doig, Bacon , Richter & Gursky in New Exhibition Exploring the Dynamic Relationship Between Contemporary Painting and Photography,” FAD Magazine, March 30
• Lee Carter, “‘You Can Tell Universal Stories’: Collector Komal Shah Unveils Her Massive Women-led Collection to the Public,” Artnet, November 7

• Justin Davidson, “La Guardia Airport Is No Longer a Hellscape,” Curbed, February 11
• Kat Herriman, “Frieze Los Angeles and Felix Art Fair Say Go Big or Go Home,” Cultured, February 18
• Maximilíano Durón, “Linebacker Turned Curator Keith Rivers Opens New York Show,” Sportico, March 15
• Megan O’Grady, “How A Sculptor Made an Art of Documenting Her Life,” The New Yorker, June 15
• Taylor Dafoe, “Stan Douglas, Diana Thater, and Other Faculty at One of California’s Top Art Schools Are Campaigning to Offer Free Tuition to Grad Students,” Artnet, July 12
• Travis Diehl, “Computers and Painting’s Identity Crisis,” The New York Times, July 13
• “Ten Contemporary Artists Unite to Sell Works to Fund Tuition-Free Graduate Art Degrees at ArtCenter,” Pasadena Now, July 24
• Alyssa Bird, “Perched High Above Central Park, This Historic Apartment Proves Elegance And Informality Can Coexist,” Elle Décor, August 5
• Andrew Russeth, “The 9 Best Booths at Frieze Seoul, From the Ancient to the Bracingly Contemporary,” Artnews, September 2
• “’The Painter’s New Tools’ reimagines the traditional medium of painting,” STIRworld, September 5
• September, From a Red-Hot Group Show to Rick Lowe’s Gagosian Debut,” Artnet, September 6
• Shanti Escalante-De Mattei, “A Joyous, Novel Fundraiser Brings Together 50 Artists for David Zwirner Exhibition,” ARTnews, September 9
• Rachel Valinsky, “A Maze Zanine, Amaze Zaning, A-Mezzaning, Meza-9,” art agenda, September 23
• Deborah Vankin, “LAXART receives a $1-million donation, its largest ever, for new Melrose Hill building,” The Los Angeles Times, October 27

• “9 Must-See Museum Shows Opening in Early 2021, From KAWS’s Brooklyn Blowout to a Homecoming for Laura Owens,” Artnet News, January 6
• Martin Bailey, “Treats for Van Gogh fans in 2021: exhibitions, museum openings and books,” The Art Newspaper, January 8
• Laura Owens, “Rachel Kushner and Laura Owens on the Power of Reinvention Through Writing,” Interview, March
• “5 Things To Do This Weekend in Cleveland: March 12-14,” Cleveland Magazine, March 10
• Steven Litt,” Cleveland Museum of Art explores time travel in show organized by artist Laura Owens with area teens,” The Cleveland Plain Dealer, March 28
• Christopher L. Richards, “Do You Really Want To Go Back In Time?” CAN Blog, April
• Dimitris Lempesis, “ART-PRESENTATION: Laura Owens-Rerun,” Dream Idea Machine Art View, April
• Jonathan Griffin, “Rachel Kushner on What She Takes From Art (and Artists),” The New York Times, April 23
• Jane Kaufman, “Laura Owens engages local youth in Cleveland Museum of Art exhibition,” Canvas, April 30
• Georgina Adams, “Collector Yan Du on bridging east and west: I am living my dream,” The Financial Times, May 13
• Grant Klarich Johnson, “Laura Owens Paints What She Wants and Takes Pleasure in Doing It,” Frieze, May 18
• Andrea Gyorody, “Laura Owens Teams Up with Cleveland Teens for a Playful Show on Time Travel,” Hyperallergic, May 23
• “2021 Airport Business Project of the Year – LaGuardia Airport Redevelops Terminal B,” Aviation Pros, June 17
• Laurie Barron, “Information (Today) at Kunsthalle Basel Revisits a 1970s Classic,” Ocula, June 23
• Jan van Rossem, “Allez Arles!” IDEAT, July-August
• Alison Cole, “South of France art venues create Covid-united network—and welcome LUMA Arles into the fold,” The Art Newspaper, July 2
• Anaël Pigeat, “Laura Owen: Je M’Interroge Toujours D’Abord Sur Ce Qu’est La Peinture” The Art Newspaper Édition Française, September
• Numéro Art, June – September
• Carolyn Boyd, “20 great autumn breaks across France: a season of great tastes,” The Guardian, September 4
• Alice Finney, “Laura Owens covers Vincent Van Gogh exhibition in colourful handmade painted wallpaper, Dezeen, September 12
• Alice d’Orgeval and Ludovic Bischoff, “Que faire ce week-end?” Les Echos, September 17
• Etienne Dumont, “L’Américaine Laura Owens dialogue à Arles avec Vincent Van Gogh et la mystérieuse Winifred How,” Bilan, September 29
• Myriam Boutoulle, “Van Gogh de la peinture au papier peint : Laura Owens, une américaine à Arles,” Connaissance des arts, October
• Sam Gaskin, “Why the Art World Is Pivoting Towards South Korea,” Ocula, October 5
• “Power 100,” ArtReview, December
• Cecilia Alemani, “TOP TEN: Cecilia Alemani’s highlights of 2021,” Artforum, December
• Jack Bankowsky, “TOP TEN: Jack Bankowsky’s highlights of 2021,” Artforum, December 
• Martin Bailey, “What a year for Van Gogh: surprise discoveries, record prices and a boom in immersive experiences,” The Art Newspaper, December 17

• Ashton Cooper, “Laura Owens,” Artforum, January
• “Laura Owens at Matthew Marks Gallery,” KCRW, January 8
• Allison Berg, “Head of the Class,” LaLa Magazine, Winter
• Elisa Wouk Almino, “Meet LA’s Art Community: Pietro Rigolo’s Work on the Harald Szeemann Archives; ‘It’s Been 10 Years of My Life,’” Hyperallergic, February 5
• Hilarie M. Sheets, “Artists to Transform LaGuardia Airport,” The New York Times, March 5
• Dorothée Dupuis, “Review: Laura Owens,” Flash Art, April-May
• Bobbie Faul-Zeitler, “Cities: Looking Ahead,” Green News, May 27
• Devin Gannon, “See inside LaGuardia Airport’s new Terminal B, 6sqft, June 10
• Hilarie M. Sheets, “Art That Might Make You Want to Go to La Guardia,” The New York Times, June 10
• Patrick McGeehan, “From ‘Disgraceful’ to ‘Breathtaking’: La Guardia’s $4 Billion Makeover,” The New York Times, June 10
• Sarah Cascone, ‘Flying Might Be a Hard Sell Right Now, But LaGuardia Airport Hopes to Lure Travelers With Stunning New Public Art—See It Here’, ArtNet News, June 10
• Alex Greenberger, ‘With Reopening Under Way, New York Governor Andrew Cuomo Unveils Newly Commissioned Art at LaGuardia Airport’, ARTnews, June 10
• David Meyer, Lorena Mongelli and Natalie Musumeci, “Gov. Cuomo unveils gleaming new arrivals terminal at LaGuardia Airport,” New York Post, June 10
• Nicholas Loud, “Photos Inside the New Terminal B at LaGuardia Airport,” untapped new york, June 11
• Gina Di Meo, “Aeroporto museum, apre il nuovo terminal La Guardia a Ny,” Ansa ViaggiArt, June 11
• Howard Halle, “Check out the ne LaGuardia Airport’s spectacular public art installations,” Time Out New York, June 11
• Miriam Sitz, “Permanent Installations Unveiled for New Terminal at La Guardia Airport,” Architectural Record, June 11
• Stephen Nessen, “Shiny New LaGuardia Terminal Half-Opens With BBQ And Hand Sanitizer,” Gothamist, June 11
• Shaye Weaver, “See inside the stunning new LaGuardia Airport,” Time Out New York, June 11
• Andrew Curran, “American Airlines Reveals Refreshed Terminal B At La Guardia,” Simple Flying, June 11
• Todd Maisel, “New LaGuardia Terminal B opens for business, awaits crowds after COVID-19,” QNS, June 11
• “Looking For Great Art? Head to Terminal B at LaGuardia Airport,” Astoria Post, June 11
• Gabrielle Leung, “Massive Site-Specific Works Take Over LaGuardia Airport’s New Terminal,” Hypebeast, June 12
• Lucy Rees, “4 Striking Art Installations Transform LaGuardia Airport,” Galerie, June 12
• Caroline Goldstein, “From the Toppling of Statues Around the World to the Cancellation of Art Basel: The Best and Worst of the Art World This Week,” Artnet, June 12
• “Look Inside the Brand New Terminal at LaGuardia Airport,” WPDH, June 13
• “Neuer Terminal öffnet – mit Kunst einer gebürtigen Pforzheimerin,” Stuttgarter, June 13
• Kurt Stolz, “Photo Essay: Inside LaGuardia Airport’s Posh New Central Terminal,” Frequent Business Traveler, June 14
• Mark Caswell, “New York’s LaGuardia unveils new departures and arrivals hall at Terminal B.” Business Traveller, June 14
• “Flying Start,” Monocle, June 15
• “Governor Cuomo Unveils New Arrivals and Departures Hall at Terminal B as Part of the $8 Billion Transformation of LaGuardia Airport,” Aviation Pros, June 15
• Michael Gannon, “LaGuardia terminal takes off,” Queens Chronicle, June 18
• Laura Owens, “Artist’s Favourites,” Spike Art Quarterly, Summer
• Paulo Singer, “Tour a Leading Collector’s Inimitable London Dwelling,” Architectural Digest, September 25
• Valerie Silva, “Only in New York: Artwork Rules at LaGuardia Airport’s Terminal B,” APEX Experience Magazine, November
• Nicolas Trembley, “L’Artiste Du Mois: Laura Owens,” Numero, December
• Julia Buckley, “America’s ‘worst’ airport tries to reinvent itself,” CNN.com, December 31

• Carolina A. Miranda, “Datebook: A color-wielding goddess, contemporary takes on confessions and paintings left out in nature,” The Los Angeles Times, January 4
• Katie Sweeney, “8 Dealers Not To Miss At This Year’s Fog Design+Art Fair,” Haute Living, January 9
• Mia Taylor, “What’s New in LA for 2019: Here’s Your Guide,” Travel Pulse, January 18
• Charleston City Paper, February 28
• Adam Parker, “Spoleto Festival unveils 2019 poster, featuring image by Laura Owens,” The Post and Courier, February 28
• Charles Desmarais, “Bay Area collector Komal Shah on art by women and artists of color,” The San Francisco Chronicle, March 1
• Annabel Osberg, “Laura Owens,” Artillery Magazine, March 5
• Jeff Hansen, “Laura Owens: Museum of Contemporary Art,” Deliciousline.org, March 25
• Pac Pobric, “’ ‘I Was So Afraid for Way Too Long’: Painter Jonas Wood on How Going It Alone Helped Him Survive His Immense Market Success,” Artnet, March 28
• Abby Schultz, “Artists Donate Works For Sale To Support The Hammer Museum,” Barron’s, March 28
• Georgina Adam, “Komal Shah’s mission to redress the art world’s balance,” The Financial Times, April 26
• Shana Nys Dambrot, “The 40th Venice Art Walk Auction and Open Studios Tour Is May 19,” LA Weekly, May 17
• Allison Grimaldi Donahue, “Laura Owens,” Flash Art Italia, July – August
• David Breslin, Martha Rosler, Kelly Taxter, Rirkrit Tiravanija and Torey Thornton, “The 25 Works of Art That Define the Contemporary Age,” T Magazine, July 16
• Martin Bailey, “Arles to Tokyo: Van Gogh exhibitions in 2020 that Vincent aficionados won’t want to miss,” The Art Newspaper, October
• Murray Whyte, “At the Gardner Museum, seven favorites from 25 years of artists-in-residence,” The Boston Globe, October 10
• Andrew Durbin, “What Does the New MoMA Mean for Contemporary Art?” Frieze, October 16
• Geena Grant, “Get serenaded, see art at the Isabella Stewart Gardner Museum,” The Daily Free Press, October 24
• Brett Sokol, “Debts of Gratitude Paid in Paintings, Silkscreens and Collages,” The New York Times, December 4
• Andrea Whittle, “The Roman Artists and Creatives Bringing New Life to the Eternal City,” W Magazine, December 6
• David Pagel, “Review: Artist Laura Owens makes books unlike any other books you’ve seen,” The Los Angeles Times, December 6
• Laurie Ochoa and Caroline A. Miranda, “Newsletter: Essential Arts,” The Los Angeles Times, December 8
• Michael Shnayerson, “Remembering Donald Marron: The Art Collector in His Own Words,” ARTnews, December 30

• Katherine Dennis, M.E. Sparks and Daina Augaitis, Ben Reeves: floating among phantoms, Equinox Gallery, Vancouver
• Cecilia Alemani and Massimiliano (ed.) The Trick Brain, Skira / Aishti Foundation, Milan
• Eva Respini (ed.) Art in the Age of the Internet, 1989 to Today, Yale / ICA Boston
• Mario Naves, “Exhibition Note: On ‘Laura Owens’ at the Whitney Museum of American Art,” The New Criterion, January
• Nancy Princenthal, “Moving Targets,” Art in America, January
• “Art Industry News,” Artnet, January
• Andrew Nodell,”Technology, Globalization Reshape Auction Market in 2017,” WWD, January 2 
• Phyllis Tuchman, “The Sky Is the Limit: Laura Owens Is in Top Form in Superb Whitney Museum Retrospective,” Artnews, January 4
• Jason Stopa, “Painting as Total Environment,” Hyperallergic, January 5
• “A cold weekend in NYC,” Gotham Gal, January 6
• Emma Hicks, “Places to Go: New York City is the only place that can pull itself off,” The Ubyssey, January 10
• Pac Pobric, “Time to look: Laura Owens’s self-reflective paintings demand considered attention,” The Art Newspaper, January 12
• “There Is No Threat: False Alarms, Obsolete Calendars and Other Allegorical Decoys,” Minus Plato, January 15
• Claire Voon, “Whitney Museum Launches Emoji Designed by Laura Owens,” hyperallergic, January 17
• John Chiaverina, “Laura Owens Designed iMessage Stickers for the Whitney—All for Free Download,” Artnews, January 17
• Michael Wilson, “Laura Owens Just Dropped a Set of Stickers,” Garage, January 17
• “Art,” The Harvard Advocate, Winter
• “You Can Now Use Emojis Designed by Laura Owens,” Glasstire, January 22
• Andrew Durbin, “Laura Owens,” Frieze.com, January 22
• “Kunstlerin Laura Owens hat Emojis entworfen,” Monopol, January 26
• Felix Bernstein, “Laura Owens At The Whitney,” Spike Art Quarterly, Winter
• “Il Whitney è il primo museo a presentare la sua collezione di emoji,” Forbes Italia, February 1
• Taylor Dafoe, “The Internet Totally Changed What It Means to Make Art Today. A New Show Explains How,” Artnet, February 2
• “How has the web shaped art? Boston museum asks,” AFP Relaxnews, February 3
• Mark Romano, “Laura Owens,” What Should We Do, February 5
• Michael Marotta, “The ICA’s ‘Art in the Age of the Internet, 1989 to Today’ is a provocative IRL spectacle,” Vanyaland, February 7
• Hovey Brock, “JIMMIE DURHAM: At the Center of the World & LAURA OWENS,” The Brooklyn Rail, February
• David Salle, “Art in Free Fall,” The New York Review of Books, February 8
• Heather Grace, “An Intersession of Personal Days,” The Daily Princetonian, February 8
• Jody Feinberg, “Art: At the ICA, electronic artists examine how the Web has invaded our lives,” The Patriot Ledger, February 13
• Sofia Zamboli, “ICA’s ‘Art in the Age of the Internet’ exhibit overwhelms, impresses,” The Tufts Daily, February 20
• “Pedro Andrade visita exposição de Laura Owens no Whitney Museum,” O Globo, February 21
• Avery Singer, “UNTITLED,” Texte Zur Kunst, March
• Bianca Montes, “March brings to Dallas the acclaimed exhibition of Laura Owens,” Park Cities People, March
• Claire Wrathall, “The business of hotel art,” Financial Times, March 8
• Bianca Montes, “March brings to Dallas the acclaimed exhibition of Laura Owens,” Preston Hollow People, March 20
• Taylor Dafoe, “Laura Owen’s Art Nonprofit 356 Mission, a Target of Anti-Gentrification Protests, Will Close,” artnet.com, March 30
• Lyndsay Knecht. “When Artists and Tenants Join Forces in the Fight for Affordable Housing,” D Magazine, March 21
• “Dallas Museum of Art Presents Nationally Touring Exhibition ‘Laura Owens,’ a Mid-career Survey of the American Artist,” Artfixdaily.com, March 22
• Travis Diehl, “On Laura Owens on Laura Owens,” Carla, Spring
• Jennifer Smart, “Laura Owens’ Exhibit at Dallas Museum of Art Checks All the Boxes,” Dallas Observer, March 27
• Carolina A. Miranda, “Artist-run space 356 Mission is leaving Boyle Heights. Founders Laura Owens and Wendy Yao explain why,” The Los Angeles Times, March 30
• Benjamin Sutton, “356 Mission Gallery, Seen by Many as a Symbol of Gentrification, Will Close,” Hyperallergic, March 30
• “Boyle Heights art space closing — but not because of anti-gentrification campaign,” The Eastsider, March 30
• Alex Greenberger, “Los Angeles’s Artist-Run Institution 356 Mission to Close,” Artnews, March 30
• Melinda Newman, “Pulse Music Turns 10: Indie Publisher Talks Label Plans, Going Global & Why They’re Not for Sale,” Billboard, March 30
• Carolina A. Miranda, “Essential Arts & Culture: King Tut and ‘Angels in America’ return, Laura Owens’ 356 Misison to close,” Los Angeles Times, March 31
• Bettina Funcke, “Be with the Trouble: Cultural Appropriation in America,” Springerin, Spring
• Sarah K. Rich, “Laura Owens,” Artforum, April
• Amy Sillman, “Laura Owens,” Artforum, April
• Sabine Casparie, “A-Typical Painting: Laura Owens at the Dallas Museum of Art,” Art and Culture Texas, April 2
• “Artist Laura Owens’s 356 Mission gallery to close,” Artreview, April 3
• Matt Stromberg, “LA’s Art Community and Activists React to the Closing of 356 Mission,” Hyperallergic, April 4
• Ellery the Elf, “Reception Kicks Off A Show By Much-Lauded Artist Laura Owens At The Dallas Museum of Art,” MySweetCharity, April 6
• Kimberly Richard, “DMA Explores Artist’s Evolution During Dallas Arts Month,” NBC  5 News, April 7
• Ryan Steadman, “The Joy Of Painting,” Artdesk, Spring
• Ann-Hortense Epifani, “Laura Owens,” Pinault Collection, Numero 10, April – September
• Catherine D. Anspon, “Looking Back at the Dallas Art Fair—the First-Timers Tell All,” Paper City, May 7
• Ted Loos, “Charles Ray, Walking a Fine Line With a Hungry Lion,” The New York Times, May 13
• Ted Loos, “Tastes of California, Imported to the East Coast,” The New York Times, May 16
• Charlotte Marina Ioffe, “At the Dallas Museum of Art, Laura Owens Plays with Mediums and Minds,” D Magazine, May 30
• Jon Revett, “Laura Owens at the Dallas Museum of Art,” Glasstire, June
• Nancy Gilson, “Wexner Center Exhibit: ‘Inherent Structure’ stretches the conventional view of a painting,” The Columbus Dispatch, June 17
• “9 Art Events to Attend in New York City This Week,” Artnews, June 18
• Lucy Rees, “7 Brilliant Group Shows Not to Miss in New York This Summer,” Galerie, June 21
• Katja Rivera, “Flatness 3.0: A Review of “Vampire’s Kiss” at Aspect Ratio,” New Art City, July 2
• A.E. Colas, “Art Break: Abstraction at Simon Lee and Marianne Boesky Galleries,” ZEALnyc, July 23
• Robert Enright, “Painting in an Expanded Field: An Interview with Laura Owens,” Border Crossings, August
• Lori Waxman, “10 visual art shows to look forward to this fall,” Chicago Tribune, August 30
• Will Heinrich, “Art Fall Preview: Over 100 Not-to-Miss Shows From East Coast to West,” The New York Times, September 12
• “Fall Preview,” Los Angeles Times, September 14
• Brian P. Kelly, “‘I Was Raised on the Internet’ Review: Binary Reactions to the Digital World,” The Wall Street Journal, September 15
• Carolina A. Miranda, “It started as a one-shot publication — 20 years later X-TRA magazine is celebrating two decades of art,” The Los Angeles Times, October 8
• “Laura Owens,” Wall Street International, November 1
• Kiana Fatemi, “Rx Art Preview,” Flaunt, November 5
• Michael Boodro, “On View: Allison and Warren Kanders Invite AD Into Their Art-Filled Sanctuary,” Architectural Digest, November 8
• Kiana Fatemi, “This Week in LA Art Openings,” Flaunt, November 15
• Christopher Knight, “Review: Laura Owens’ new MOCA show grasps the perpetual power of taboo,” The Los Angeles Times, November 16
• “’The Joy of Color’ at Mnuchin Gallery, New York,” Blouinartinfo, November 16
• Daniel Grant, “Can Going to a Museum Help Your Heart Condition? In a New Trial, Doctors Are Prescribing Art.” Observer, November 16
• Michael Slenske, “Laura Owens: Between the Shadows,” The Los Angeles Times, Winter
• Jack Bankowsky, “Top Ten,” Artforum, December
• Elizabeth Smith, “Helen Frankenthaler Foundation: Fostering New Insights,” The Brooklyn Rail, December
• Christopher Knight, “Best art of 2018: Jasper Johns, Renaissance nudes, ‘Made in L.A.’ and a sleeper hit at LACMA,” The Los Angeles Times, December 11
• Christopher Knight, “In 2018, female artists finally outnumbered men in L.A. museums’ solo shows,” The Los Angeles Times, December 17

• Owens, Laura, Whitney Museum of American Art, New York
• Klaus Biesenbach and Peter Eleey (eds.) .com/cn., K11 Art Foundation and MoMA PS1, Hong Kong and Long Island City
• Travis Diehl, “The Drop Shadow of Doubt,” X-TRA, Winter
• Randy Kennedy, “Laura Owens Retrospective Coming to the Whitney,” The New York Times, January 11
• Eileen Kinsella, “Who To Network With During Art LA Contemporary,” artnet.com, January 24
• Andrew Russeth, “A Florine Stettheimer Painting Makes a Rare Appearance at the Armory Show,” ArtNews, March 1
• Joey-Tang, “A Minor Heavens, on Laura Owens,” LEAP, October
• Jason Farago and Martha Schwendener, “What to See at New York’s Art Fairs This Week,” The New York Times, March 2
• “David Reed and Laura Owens in Conversation,” 356mission.com, April
• Tim Barry, “Vanishing Points, curated by Andrianna Campbell,” brooklynrail.org. April 1
• Samantha Kuok Leese, “Critic’s Pick: .com/.cn,” Artforum.com. April 11
• Matt Stromberg, “Five Decades of SoCal Artists’ Books at the Craft and Folk Art Museum,” hyperallergic.com, May 3
• Catherine Wagley, “Is LA’s art scene growing too quickly?” Apollo Magazine, May 29
• Mark Segal, “The Art Scene: 08.17.17,” The East Hampton Star, August 17
• “Laura Owens at Whitney Museum of American Art, New York,” Blouinartinfo.com, August 28
• Sarah Lehrer-Graiwer, “Laura Owens,” Artforum, September
• Charlie Fox, “The Beauty of Ugly Painting,” The New York Times, September 4
• Will Heinrich, “The New Season of Art: Listings for the Fall Season and Beyond,” The New York Times, September 8
• Maximiliano Duron and Alex Greenberger, “See What the Top 200 Collectors Bought in the Past Year,” Artnews, September 11
• Sarah Douglas, “An Introduction to the 2017 ARTnews Top 200 Collectors,” Artnews, September 11
• Christopher Knight, “At Park View gallery, a spellbinding trip into a world turned upside down,” Los Angeles Times, October 9
• Nick Leech, “Art should attract and confuse’: photographer Mario Testino on collecting art,” The National, October 10
• Peter Schjeldahl, “The Radical Paintings of Laura Owens,” The New Yorker, October 30
• Katie Robinson, “The 6 Books You Need to Read in November,” Town & Country, October 31
• Paul Laster, “Laura Owens: a mid-career interview,” Conceptual Fine Arts, November
• Scott Indrisek, “In Laura Owens’s New Whitney Show, Painting Is Serious Fun,” Artsy.net, November 7
• Michael Wilson, “The Whitney’s Laura Owens Book Comes in 8,500 Different Covers,” Garage, November 8
• David Lagaccia, “Abstract Artist Laura Owens Challenges Traditional Ideas of Good Taste,” Interview, November 8
• “Top Must Visit Art Shows in New York This Week: Michelangelo to Laura Owens,” blouinartinfo.com, November 9
• Katie Dunham, “CalArts Alumna Laura Owens Exhibits Works at the Whitney in New York,” SCVnews.com, November 10
• Margaret Carrigan, “5 Must-See Art Exhibition at NYC Museums This Winter,” Observer, November 10
• Kristin Farr, “Experimental Pop: Laura Owens @The Whitney, NYC,” Juxtapoz, November 10
• Rozanne Els, “A Los Angeles Artist Who Loves ‘Ugly Painting’,” The Cut, November 10
• “Laura Owens’ First Major Exhibition at The Whitney Museum of American Art,” blouinartinfo.com, November 10
• Katie Dunham, “Laura Owens Exhibition Opens at the Whitney,” 24700, November 10
• “Laura Owens Brings Color, Pattern and Wildlife To The Whitney,” Untitled Magazine, November 14
• Roberta Smith, “The Comedic Beauty of Laura Owens,” The New York Times, November 16
• Brian Boucher, “Even a Prize-Winning Ferrari Couldn’t Add Much Zip to Sotheby’s Lethargic $310 Million Contemporary Sale,” Artnet, November 16
• Nate Freeman, “Sotheby’s Totals $310.2 M. at Postwar and Contemporary Sale, Bacon Triptych Sells for $36.8 M.,” Artnews, November 16
• Paul Laster, “Laura Owens puts art history in a blender and presses puree,” Time Out New York, November 17
• Carolina A. Miranda, “Essential Arts & Culture: The theater-TV nexus, a new CEO at the LA Phil, an art collection comes to light,” The Los Angeles Times, November 17
• Judd Tully, “Phillips and Sotheby’s deliver healthy totals for contemporary art,” The Art Newspaper, November 17
• “Corrections,” The New York Times, November 18
• Ariella Budick. “Unabashed fun with Laura Owens at the Whitney,” The Financial Times, November 24
• “Laura Owens,” Thirty Four Flavors, November 25
• Agathe Moley, “Laura Owens: painting as a physical force,” Artviatic, November 27
• Hilary Webb, “’Made on the Table’ at Sadie Coles HQ, London,” Blouinartinfo.com, November 29
• “The 20 Most Influential Artists of 2017,” Artsy, December
• James Tarmy, “Billionaires Are Buying Art by Laura Owens. Will Everyone Else?,” Bloomberg Finance, December 1
• Corrado Serra, “Laura Owens at Whitney Museum of American Art, through February 4, 2018,” Arts Summary, December 3
• “Goings on About Town,” The New Yorker, December 4
• Roberta Smith, “Best Art of 2017,” The New York Times, December 6
• Rob Goyanes, “Laura Owens at the Whitney,” alphasixty, December 12
• Roberta Smith, “Best Art Books of 2017,” The New York Times, December 14
• Jennifer Krasinski, “The Year in Art Was All in the Details,” The Village Voice, December 14
• Brian Boucher, “Following the Death of Its Curator, the LA Art Book Fair Has Canceled Its 2018 Edition,” artnet, December 15
• John Yau, “Laura Owens and the Death of the Auteur,” hyperallergic, December 16
• “The Approval Matrix,” New York Magazine, December 25

• Katherine Brinson and Susan Thompson (eds), The Hugo Boss Prize 2016, The Solomon R. Guggenheim Foundation, New York
• Fine Young Cannibals, Friedrich Petzel Gallery, New York
• Alex Greenberger, “Laura Owens Named Winner of the 2015 Robert De Niro Sr. Prize,” Artnews.net, January 4
• “Seth Price and Laura Owens in Conversation,” 356mission.com, January 
• “California Artist is Winner of 2015 Robert De Niro Sr. Prize,” Associated Press, January 5
• Tom Teicholz, “The Art of the Rubell Family Collection,” forbes.com, January 27
• Michael Ned Holte, “Systems of Belief,” Artforum, February
• Rebecca Bates, “Playing ‘Would You Rather’ with Laura Owens”, Paddle8, February
• Rain Embuscado, “Kim Gordon Teams with Gagosian Gallery to Open Uber-Cool Pop-Up Record Store.” Artnews.net, February 11
• Ann Binlot, “Print’s not dead: this year’s music-themed LA Art Book Fair hit all the right notes,” Wallpaper*, February 29
• Maxwell Williams, “The Influx Of International Galleries to L.A. Is More Complicated Than You Think,” Artsy.net, March 9
• Malerie Malgre and Maria Muhl, “Painting 2.0,” Texte zur Kunst, March
• “Laura Owens: 10 Paintings @CCA Wattis Institute,” Juxtapoz, April 28
• Sarah Hotchkiss, “So Much More Than ‘Ten Paintings’ in Laura Owens Show at Wattis,” KQED, May 19
• Charles Desmarais, “Laura Owens at CCA Wattis Institute a pulse-quickening experience,” The San Francisco Chronicle, May 20
• Sarah Thibault, “Laura Owens, Ten Paintings: More Than Meets The Eye,” SFAQ, May 25
• Michael Slenske, “Boom in the Bay,” Cultured, Summer
• Jack Bankowsky, “Painting 2.0: Expression in the Information Age,” Artforum, Summer
• Monica Westin, “Critic’s Pick: Laura Owens,” artforum.com, June 10
•  “Fine Young Cannibals,” New Yorker, July 11 & 18
• Christina Geyer, “California’s Most Important Painter Gets a Major Texas Moment,” PaperCity, August 31
• Keith J. Varadi, “Laura Owens at the Wattis Institute (L.A. in S.F.),” Contemporary Art Review LA #4, Summer
• Anthony Huberman, “Laura Owens: In Conversation with Anthony Huberman,” LXAQ, September
• Orin Gat, “Critic’s Guide: London,” frieze.com, October 3
• Claudia La Rocco, “Laura Owens,” Bomb, Fall
• Eileen Kinsella, “Laura Owens’ Raining Lemons Appear on New Aspen Art Museum and Aspen Skiing Company Lift Ticket,” artnet.com, October 5
• Matt Breen, “Laura Owens,” Time Out London, October 17
• Joanna Cresswell, “The Magic of Laura Owens’ Radical Paintings,” Anothermag.com, October 27
• Paul Michael Smith, “The Grid & The Jester,” The Seen, Issue 3
• Wendy Vogel, “Laura Owens @ CCA WAttis,” Modern Painters, November
• Gavin Delahunty, “Laura Owens in Conversation with Gavin Delahunty,” Whitewall, Fall
• Andrianna Campbell, “Dash, Fragment, Bracket,” Even, Fall
• Mark Godfrey, “Laura Owens,” Garage, Fall/Winter
• Gavin Delahunty, “A Stand For Medium And Materiality,” Patron, October / November
• Catherine Wagley, “The Female Cool School,” Contemporary Art Review.la, November 16
• Cassie Davies, “Laura Owens,” Studiointernational.com, November 27
• Amanda Avery, “Laura Owens at Sadie Coles HQ, London,” BlouinArtinfo, December
• Jack Bankowsky, “Top Ten,” Artforum, December
• Harry Thorne, “Laura Owens,” Frieze, December
• Nicholas Hatfull, “Laura Owens,” Moussemagazine.it, December 3
• Helen Marten, “Fuzzy Logic,” Frieze.com, December 12
• Charles Desmarais, “Top ten visual arts events of 2016,” San Francisco Chronicle, December 23

• Laura Owens, Rizzoli, New York
• Peter Schjeldahl, “Take Your Time: New painting at the Museum of Modern Art,” The New Yorker, January 5
• Matt Stromberg, “Why Do US and European Galleries Flock to Mexico City’s Zona MACO?” hyperallergic.com, February 7
• Nora Griffin,  “Roundtable: ‘The Forever Now’ at MoMA.” Artcritical, February 9 
• Scott Indrisek, “‘Come As You Are’: A ’90s Flashback in New Jersey,” blouinartinfo.com, February 10
• Hannah Dean, “Like-ness, the Internet, and the Work of Laura Owens,” Bowerbird, February 12
• Karen Rosenberg, “Alt History: 8 Groundbreaking Works That Show Why We Still Love the ‘90s,” Artspace.com, February 14
• “Call and Response,” The New Yorker, February 16
• Jason Farago, “Is Painting Dead?” BBC Culture, February 18
• David Salle, “Structure Rising: David Salle on ‘The Forever Now’ At MOMA,” artnews.com, February 23
• Phyllis Tuchman, “Don’t Shoot the Messenger,” The Brooklyn Rail, March
• Barbara Rose, “Forever Now Tomorrow,” The Brooklyn Rail, March
• “Katy Fischer in conversation with Laura Owens, March 2015,” 356mission.com, March 24
• James Tarmy, “If You Only Go to One Gallery in L.A., Go Here,” Bloomberg.com, March 30
• Lloyd Wise, “Call and Response,” Artforum, April
• Kirsty Bell, “Gallery Weekend Berlin,” Art Agenda, May 4
• Griselda Murray Brown, “Berlin Gallery Weekend — review,” Financial Times, May 5
• Martha Buskirk, “Subversive Color at the Rose Art Museum,” Hyperallergic, May 30 
• Geoff Mak, “Laura Owens,” The Brooklyn Rail, June
• Brigitte Werneburg, “Laura Owens’ malerisches Spiel mit der Wahrnehmung”, TAZ Lokal, June 11
• Vincenzo Della Corte, “Laura Owens – Secession – Vienna,” Fisk Frisk Magazine, July 8
• Laura Owens and Asha Schechter, “DSKTP,” Kaleidoscope, Spring/Summer
• Mark Prince, “Laura Owens,” Art in America, September
• Oliver Koerner von Gustorf, “Süss, Süsser, Sauer,” Blau, September
• Christopher Bagley, “Art and Commerce,” W Magazine, October
• Martin Herbert, “Laura Owens,” Artforum, November
• Jerry Saltz, “Can a Show As Dreary As This One Be Good for the Whitney? Yes.” nymag.com, November 24
• Lennie Bennett, “Review: Women artists shine in print show at Museum of Fine Arts, St. Petersburg,” Tampa Bay Times, December 2
• Nicole Mauser, “Review: Laura Owens/Soccer Club Club,” New City, Dec 3 & 10
• Catherine Wagley, “‘The Only Thing I’m An Expert On Is My Own Work’: Jordan Wolfson and Laura Owens in Conversation in Los Angeles,” artnews.com, December 8

• Stephen Berens and Jan Tumlir, “Still Lifing: Conversation with Laura Owens.” X-TRA, Winter
• Laura Owens, “Every Rough Edge Is Gone,” Flash Art, January / February
• “Scott Reeder and Laura Owens in conversation,” 356mission.com, February 7
• Corinna Kirsch, “Coral: Laura Owens.”, Artfcity, February 25
• Carol Vogel, “State Of Our Art, According To Whitney,” The New York Times, February 27
• Andrew Bernadini, “Lisa Williamson, Alex Olson, Laura Owens,” Mousse, Vol. 43, March
• Sharon Butler, “2014 Whitney Biennial: Curators’ statements, painting links,” Two Coats of Paint, March 3
• Scott Indrisek, “103 Reasons To Visit the 2014 Whitney Biennial,” Blackbook, March 5
• Katy Diamond Hamer, “First Impressions: The 2014 Whitney Biennial, NY,” Eyes Towards The Dove, March 6
• Kevin McGarry, “Whitney Biennial 2014,” Art Agenda, March 7
• Rachel Corbett, “5 Names To Know Before Opining In The Whitney Biennial,” Food & Wine, March 7
• Andrew M. Goldstein, “The Most Spectacular Artworks in the Whitney Biennial,” Artspace, March 14
• Paul David Young, “Texting at the Whitney Biennial,” Hyperallergic, March 15
• Corinna Kirsch, “The Whitney Biennial: A Format in Crisis,: Art F City, March 20
• Mark Godfrey, “Statements of Intent: The Art of Jacqueline Humphries, Laura Owens, Amy Sillman, and Charline von Heyl,” Artforum, May
• Monika Szewczyk, “Persian Rose Chartreuse Muse Vancouver Grey,” Artforum, June
• Elisabeth von Thurn und Taxis, “TNT,” Vogue, July
• Laura Owens. “Jeff Koons.” Artforum, September
• “Laura Owens: ‘Art Is The One Subject Without An Answer,’” Lancia Trend Vision, September 3
• Daniel A. Weiskopf, “Critic’s Pick: Painter’s Painters: Gifts from Alex Katz,” Artforum.com , September 18
• Joanna Fiduccia, “The Shadow of the Virtual Sun,” Spike Art Quarterly, Fall
• Jori Finkel, “Art scene in downtown Los Angeles grows,” The Artnewspaper, November
• “Laura Owens,” Deutsche Bank ArtMag, November
• Clint Burnham, “The Dreamscapes of Vienna’s Sprawling “Century of the Bed” Series, Momus.ca, November 10
• Diane Solway, “Laura Owens: Brushes with Greatness,” W Magazine, December
• Scott Indrisek, “At MoMA, 17 Paintings of Our Forever Now,” blouinartinfo.com, December 9
•  Jason Farago, “The Forever Now review: calling time on the avant-garde,” The Guardian, December 12
• Jerry Saltz, “Forever Now is MoMA’s Market Moment,” nymag.com,  December 12
• “Looking For a Few Good Tenants: LA’s New Downtown Gallery Scene,” Huffington Post, December 18
• Thomas Micchelli, “The Death of Painting: All-New, 2014 Edition,” Hyperallergic, December 20

• Joslin Van Arsdale, “Laura Owens 12 Paintings,” The Art Reserve, January
• Brian Boucher, “The Brief: Laura Owens Opens in LA,” Art in America, January
• Diane Solway, “Solway Selects,” W Magazine, January
• January Parkos Arnall, “Art in Person: the limits of what we can see virtually… Laura Owens at 356 Mission,” LA Art Theory, January 20
• Andrew Beradini, “How Laura Owens’ New Boyle Heights Exhibit Moves Painting Forward,” LA Weekly, March 21
• David Pagel, “Review: Laura Owens’ Large-scale Paintings an Immersive Experience,” The Los Angeles Times, March 14
• Jori Finkel, “Industrial Building Gives Artist Laura Owens Versatility,” The Los Angeles Times, March 13
• Sarah Lehrer-Graiwer, “Optical Drive,” Artforum, March
• Eva Recinos, “A Sperm Mug, a Giant Tube Sculpture and More at Night Gallery,” LA Weekly, March 18
• Hunter Drohojowska-Philp, “The Night Gallery and Laura Owens,” KCRW.com, March 28
• Jonathan Griffin, “Made in Space,” art-agenda.com, March 28
• Jonathan Griffin, “Laura Owens: 356 South Mission Road, Los Angeles.” Frieze, April
• Terry R. Myers, “12 Paintings by LAURA OWENS,” The Brooklyn Rail, May
• Erica Zora Wrightson, “Laura Owens: Painting in Space,” LA Weekly, May 15
• Laura Owens, “‘It’s Spelled Motherfuckers.’-An Interview with Rachel Kushner,” The Believer, May 24
• Scott Timberg, “Culture Jammers: Novelist Rachel Kushner and painter Laura Owens join forces as they both gather new acclaim.” Pasadena Magazine, May/June
• Konstantin Bohorov, “Selection of critics,” Iskusstvo, June
• Fabien Stech,” Laura Owens: I Like The Idea Of Not Knowing,” Kunstforum, Summer
• Molly Larkey, “To Live And Paint In LA: The Work Of Laura Owens,” Los Angeles I’m Yours, June 25
• Andrew M. Goldstein, “6 Works You Should Collect, From Laura Owens’s Magic Moon to Franz West’s Furniture,” Artspace, July 10
• Andrew Russeth, “‘Made in Space’ at Gavin Brown’s Enterprise and Venus Over Manhattan,” GalleristNY.com, July 23
• Emily Colucci, “Fact Or Fiction: Los Angeles Is Just New York Lying Down,” ArtParasites.com Magazine, July 24
• Roberta Smith, “Made in Space,” The New York Times, August 1
• James Cartwright, “Art: Laura Owens creates giant, abstract works like 1980s album art,” It’s Nice That, September 4
• Jessie Groveman, “Laura Owens: LA Artist With Larger Than Life Exhibit.” Lipstick & Politics, September 27
• Stephen Berens and Jan Tumlir, “A Room of Owens’s Own” X-TRA, Fall
• Laura Owens, “Tragic Kingdom: Laura Owens on Paul McCarthy’s WS at the Park Avenue Armory,” Artforum, October
• Carol Cheh, “Whitney Biennial 2014: L.A. Artists Represent, Again,” LA Weekly, November 19
• Carol Vogel, “The 2014 Whitney Biennial Is Taking Shape,” The New York Times, November 14
• David Ng, “Whitney Biennial 2014 to include L.A. artists, David Foster Wallace,” The Los Angeles Times, November 15
• “Rob Pruitt’s Art Awards,” Art in America, December

• Mark Prince, “Laura Owens,” Frieze, January
• Dodie Kazanjian, “May Madness: A Guide to the New York Art Shows You Can’t Miss This Spring,” Vogue.com, April 28
• Danielle McCullough, “OPEN NETWORK/PRINT IMPRINT,” Whitehot Magazine, May
• “Modern Painters Magazine’s Top Picks From Frieze New York.” Blouinartinfo.com, May 5
• Yanyan Huang, “Art Unlimited Artist Spotlight: Laura Owens at Art 43 Basel,” Haute Living, June 16
• Andrew Russeth, “Look at This! Laura Owens’s ‘Clocks’ Book,” GalleristNY.com, October
• William Kherbek, “Laura Owens: Pavement Karaoke/Alphabet,” Port Magazine, October
• Dorothy Spears, “Gallery as Museum, Art Dealer as Curator,” The New York Times, October 26
• Holly Myers, “Laura Owens,” Modern Painters, November
• Fabian Stech, “Laura Owens in Conversation with Fabian Stech,” Annual Magazine, November
• Ace Ubas, “Laura Owens on Destroy the Picture: Painting the Void, 1949-1962,” MOCA.org, November 29
• Jack Bankowsky, “Top Ten,” Artforum, December

• Noemi Smolik, “Wie Werden Abgedroschene Fragen Wieder Aktuell?,” Artblog Cologne, January 8
• Laura Rivera, “Artist Laura Owens to discuss her abstract paintings tonight for UCLA Hammer Museum’s lecture series.” Daily Bruin, February 3
• Joshua Abelow, “Laura Owens at GB, Harlem,” Artblogartblog, July 28
• Jorg Heiser, “Laura Owens, Galerie Gisela Capitain,” Frieze d/e, Autumn
• Laura Owens, “Lunch at the Landfill.” The Lunch Break Times, October
• Christopher Reiger, “Painting Between the Lines @ CCA Wattis,” SquareCylinder.com, November 29
• Laura Owens, “Merlin Carpenter,” Artforum, December
• Mary Louise Schumaker, “Making a Scene: Milwaukee’s Avant-Garde,” Journal Sentinal, December 12

• “Laura Owens interview with Brad Phillips,” Hunter and Cook, Issue #5
• Nancy Princenthal, “Laura Owens at Gavin Brown,” Art in America, January

• Roberta Smith, “Rewards and Clarity in a Show of Restraint,” The New York Times, February 19
• Mary Anna Pomonis, “Interview with Laura Owens,” Whitehot Magazine, March
• Aya Muto, “Silver Lake Style Living,” Brutus, May
• Jori Finkel,  “Open the Storeroom: Let’s Put on a Show,” The New York Times, September 13
• Rebecca Niederlander and Iris Anna Regn interviewed by Karen Klabin, “BROODWORK: Creative Practice and Family Life,” Coagula Art Journal, August
• Mike Boehm, “Back From The Ashes,” The Los Angeles Times, November 8
• Nana Asfour, “Laura Owens, ‘New Paintings,’” Time Out New York, November 9
• Benjamin Genocchio, “The Nature of Time, Ever Passing,” The New York Times, November 20

• Malcolm McLaren, “For the Moment: Nibbles for Malcom McLaren.” New York Times T Magazine, June 5
• Holland Cotter, “Pretty Ugly: Art Makes Such Weird Bedfellows,” The New York Times, July 25
• Matthew Collings, ”Put Downs And Suck Ups: Matthew Collings’ Weekly Ventings On The Art World No 2: Get Sploshing – Laura Owens At Sadie Coles, London,” Saatchi Art, November 28

• “Laura Owens,” New Yorker, January 8
• Catrin Lorch, “Die Umarmung mit dem Pinsel,” Taz, March 7
• Gabriela Walde, “Laura Owens’ schöne Bilderwelt,” Berliner Morgenpost, Spring
• Carlo Simula, “Sequence 1: Palazzo Grassi,” L’Uomo Vogue, May/June
• Dirk Martens, “Fris en vrij schilderen,” Art Spotter, May
• AD Algemeen Dagblad, May
• AD Amersfoortse Courant, May
• “Kijk uit naar…,” De Morgen, May
• “Owens en de kunstgeschiedenis,” NRC Handelsblad, May
• “Laura Owens in Bonnefanten,” Zondags-Nieuws, May 27
• “Laura Owens,” Museumtijdschrift Vitrine, May 31
• “Van LA tot Maastricht,” Esta, June
• “Laura Owens,” FD Persoonlijk, June
• Lucette Ter Borg, “Beeldende kunst Bespreking,” NRC Handelsblad, June 15
• Lucette Ter Borg, “Beeldende Kunst,” NRC Handelsblad, June 16
• Jonathan Griffin, “Very Abstract and Hyper Figurative,” Frieze, May
• “Laura Owens,” Kunstforum International, June – July
• Paola Van De Velde, “Matisse en lange dropveters van verf,” De Telegraaf, July 6
• Caspar Cillekens, “De illusive van een dagje strand,” Dagblad De Limburger, July 16
• Xander Karskens, “Vlinderend anarchism van Laura Owens,” Zuiderlucht, August
• Karen Rosenberg, ”Needling More Than the Feminist Consciousness,” The New York Times, December 28

• Ken Johnson, “Art in Review: The Garden Party,” The New York Times, April 21
• Laura Owens, McSweeney’s Quarterly Concern, Summer
• Bill Leahy, “A glimpse into Paradise,” Village, June 22-28
• Angelika Affentranger-Kirchrath, “Nach dem Prinzip von Lust und Laune,” Neue Zürcher Zeitung, June 24
• Aidan Dunne, “Best to ease off on the symbolism,” The Irish Times, June 28
• Gabriele Hoffmann, “Der Sunset Boulevard, aufgehoben im Leporello,” Stuttgarter Zeitung, July
• Gerhard Mack, “Laura Owens,” NZZ am Sonntag, July 2
• Catherine Leen, “Laura Owens,” The Sunday Times, July 2
• Feli Schindler, “Heiterkeit aus dem Sunshine State,” Tages-Anzeiger, July 4
• Isabell Teuwsen, “Laura Owens: Luftig & leicht,” Schweizer Illustrierte, July 10
• “Kunsthalle Zurich Presents Laura Owens,” artdaily.com, July 11
• Dominique von Burg, “Laura Owens’ Gemälde und Studien: Mit unerschöpflicher Fabulierlust,” Zürichsee-Zeitungen, July 22
• Dominique von Burg, “Laura Owens: Von der Suche nach der unbeschränkten Freiheit in der Kunst,” Kunst-Bulletin, July/August
• Cherry Smyth, “Laura Owens,” Modern Painters, July–August
• Sally O’Reilly, “Review,” ArtReview, August
• Lucy Soutter, “What Lies Beneath,” Frieze, September
• “In Lion For Exhibition,” Broadway Ham & High, September 14
• “Interview with Laura Owens and Elysia Bowory-Reeder,” The Wrong Times, Winter
• Laura Owens & Gedi Sibony: Fragility,” The Wrong Times, October
• “Funny Looking,” The Big Issue, November
• Sarah Kent, “Best of skittish,” Time Out London, November
• David Gleeson, “Laura Owens,” Art Monthly, November
• Alison Oldham, “Owens’ vision requires an educated eye,” Ham & High, November 23
• Beth Greenacre, “Laura Owens at Camden Arts Centre,” Art Rabbit, November 30
• Joao Ribas, “An Ecumenical Love of Painting,” New York Sun, December 14

• Leslie Markle, “’The Undiscovered Country’ at the UCLA Hammer Museum,” StudioTalk, January
• “Kinyo Bunka Keijiban,” Weekly Friday, January 14
• “Art Topics,” CAZ, February
• “Art & Design,” Elle Décor Japan, February
• “Exhibition Spot2,” Gallery, February
• “Culture & Art,” Tokyo Loco Style, February
• Julian Satterthwaite, “The Whimsical World of Laura Owens,” The Daily Yomiuri, February 17
• “Art Topics,” Weekly Pia, February 17
• Edan Corkill, “Soft Focus on Reality Links ‘Loose’ Women,” The Asahi Shimbun, February 18
• “Sortir ART,” Figaro Japon, February 20
• Tosho Shumbu, February 26
• Kyotara, “Deepest Fantasies. Laura Owens sona,” Barfout!, March
• “Exhibition Preview,” Bijutsu No Mori, March
• “art,” Domani, March
• “Culture,” Marie Claire Japan, March
• Mijutsuno no Mado, March
• “Tokyo Entertainment Calendar,” Tokyo Calendar, March
• “Exhibitions,” The Asahi Shimbun, March 8
• “Guide Guide,” Nikkei Shimbun, March 14
• “Inside Outside,” Kankyo Ryokka Shimbun, March 15
• “Exhibitions,” Mainichi Newspaper, March 24
• “Art,” Brio, April
• Hi Fashion, April
• Illustration, April
• Precious, April
• Chisako Takashima, “Art and I,” Very, April
• “art SV cut up,” Studio Voice, April
• Masami Taguchi, “Creator’s Voice,” MyLohas, May
• Laura Richard Jank, “Interim Print Report,” Art On Paper, May/June
• Richard Huntington, “To the Extreme,” Buffalo News, July 12
• Cheryl Kaplan, “Freundliche Platzhalter: Ein Gespräch mit Laura Owens / Friendly Place-Holders: Conversation with Laura Owens”, db artmag, August
• Roberta Smith, “Art in Review: Desired Constellations,” The New York Times, August 5

• Laura Owens, “A Painter’s Vote,” ArtUS, January–February
• Christopher Knight, “Binary Days at the Biennial,” Los Angeles Times, April 11
• Michael Kimmelman, “Touching All Bases At the Biennial,” The New York Times, March 12
• Jerry Saltz, “The OK Corral,” The Village Voice, March 17 – 23
• Peter Schjedahl, “What’s New: The Whitney Biennial,” New Yorker, March 22
• Hilarie M. Sheets, “A Painter with Lots of Voices and No Comment,” New York Times, March 28
• Bethany Anne Pappalardo, “Critic’s Pick,” Artforum.com, March 30
• Madam Figaro, April
• Bridget Goodbody, Review, Time Out New York, April 1-8
• Holland Cotter, “Art in Review: Laura Owens,” The New York Times, April 2
• Roni Feinstein, “An Unfettered Palette,” Sun Sentinel, April 27
• Maruccia Casadio, “Dreamy,” Vogue Italia, May
• Renato Diez, “Alla Biennale del Whitney,” Arte, May
• Meghan Dailey, “Laura Owens bei Gavin Brown’s enterprise,” Texte Zur Kunst, June
• Eleanor Heartney, “The Well-Tempered Biennial,” Art in America, June/July
• Alex Williams, “Cutting Edge In the Arts Now Is Joining a PAC,” The New York Times, July 4
• Robert Landau, “Exploring Beverly Hills,” Where Magazine, September
• Ken Johnson, “From Central Park to Outer Space,” The New York Times, September 12
• “New This Month in U.S. Museums,” Artnet.com, October
• Doug Harvey, “It’s Alive: Art of the Living Dead,” LA Weekly, October 15 – 21
• David Pagel, “Leaving Room for Personality,” The Los Angeles Times, October 20
• Lane Relyea, “Theory and Painting,” Flash Art, November/December
• “The Undiscovered Country,” Coast, December
• Cynthia Dea, “Brush strokes of pure image,” Los Angeles Times, December 2

• Benjamin Weissman, “Interview with Laura Owens,” Cakewalk, Winter
• David Rimanelli, “Preview, Laura Owens, Museum of Contemporary Art,” Artforum, January
• Helen Allen, “NY Contemporary Auctions: High-End Sales Still Going Strong,” Flash Art, January/February
• David Greene, “Class Reunion,” Modern Painters, Spring
• Christopher Knight, “Giving Girl Stuff a Good Name,” Los Angeles Times, March 24
• Dodie Kazanjian, “The Happy Painter,” Vogue, April
• Rachel Kushner, “Interview with Laura Owens,” The Believer, May
• Howard Singerman, “Laura Owens,” Artforum, May
• Dave Muller, “Top Ten,” Artforum, Summer
• Benjamin Weissman, “Laura Owens: MOCA Los Angeles,” Frieze, Summer
• ArtReview, July/August
• Gean Moreno, “Laura Owens: Never The Same Twice,” Flash Art, October
• James Auer, “Loving the Canvas,” Milwaukee Journal Sentinel, October 16

• Russell Ferguson, “Laura Owens Paints a Picture / Laura Owens malt ein Bild,”Parkett, no. 65, September
• Mungo Thomson, “From My Junkyard to Yours / Von meinem Schrotthaufen zu deinem eigenen,”Parkett, no. 65, September
• Benjamin Weissman, “Monkey Man Killer / Der Monkey-Man-Killer,” Parkett, no. 65, September
• Francine Koslow Miller, “Laura Owens: Isabella Stewart Gardner Museum,” Artforum, January
• Helen Allen, “NY Contemporary Auctions,” Flash Art International, January/February
• Gloria Goodale, “Artist Trio Shares a Simple Love of Painting,” The Christian Science Monitor, February 15
• Christopher Knight, “Bristling with Attitude,” Los Angeles Times, February 15
• Doug Harvey, “Cavepainting,” LA Weekly, February 22-28
• Douglas Max Utter, “Accumulations,” New Art Examiner, March
• Robin Muir, “The Garden Issue: Another Country,” The Independent, March 30
• Jemima Montague, “Urgent Painting,” Frieze,  April
• David Pagel, “A Supersaturated Return to the Spirit of the Punk Era,” Los Angeles Times, May 10
• Charles Gute, “Focus Painting Part One,” Flash Art, October
• Roberta Smith, “Retreat from the Wild Shores of Abstraction,” The New York Times,  October 18
• Jerry Saltz, “Good on Paper,” Village Voice, October 30
• Peter Schjeldahl, “The Drawing Board,” New Yorker, November 4
• “Drawing Now?” Flash Art, December

• Suzanne Muchnic, “Ascent of the Early Risers,” Los Angeles Times, April 1
• Christopher Miles, “MOCA Takes Stock of the ‘90s,” Art & Auction, April 1
• Alexander Nguyen, “MOCA exhibit offers an eclectic collection,” The Daily Trojan, April 2
• Christopher Knight, “Art-School Approaches—the Good, the Bad and the Ugly,” The Los Angeles Times, April 4
• David Pagel, “Before Their Art Was Famous,” The Los Angeles Times, April 4
• Irit Krygier, “Hello 21st Century,” Artnet, April 12
• Doug Harvey, “P.O.’d,” LA Weekly, May 11 – 17
• Joanne Silver, “Owens’ mingling of styles offers multiple delights,” Boston Herald, June 8
• Neville Wakefield, “Laura Owens,” Elle Decor, July
• Christopher Knight, “Art For School’s Sake,” The Los Angeles Times, July 8
• Cate McQuaid, “Laura Owens Brings Zen to her Bold Art,” Boston Globe, July 27
• Karl Erickson, “The Free Spot,” In These Times, August
• Grace Glueck, “Art Review: A Universe of Art Centered in Boston,” The New York Times, August 17
• Kimberly Cutter, “East Side Story,” W, September
• Jerry Saltz, “Babylon Now,” The Village Voice, September 18
• “UNT explores methods, inspiration of California art,” The Chronicle, September 20
• Clayton Campbell, “Public Offerings,” dArt International, Fall
• Cornelia Gockel, “Im Sog des kirschroten Mundes,” Suddeutsche Zeitung, October 1
• “KSU Gallery opens drawing exhibition,” Record-Courier, October 2
• Dorothy Shinn, “Show aims to give drawing a little respect,” Akron Beacon Journal, October 7
• Anne Erfle, “Mit dem Dung von Elefanten,” SZ Extra, October 25

• Katy Siegel, “1999 Carnegie International,” Artforum, January
• Mark Godfrey, “Reviews,” Contemporary Visual Arts, January
• Louise Farr, “Six Artists for the Century, Art Beat,” W, February
• David Carrier, “Pittsburgh: Carnegie International,” Burlington Magazine, February
• Bill Fark, “California Artists Show Diversity in Museum Shows,” North County Times, June 9
• Moira Jeffrey, “Artist with a sense of fun,” The Herald, June 19
• Jack Mottram, “A Natural Talent in all its Glory,” Sunday Herald, June 25
• Christopher Knight, “Catching the ‘Next Wave’ of Painters,” Los Angeles Times, June 20
• John Calcutt and Fiona Leith, “Laura Owens — New Work,” Scotland on Sunday, June 25
• Giles Sutherland, “Around the Scottish Galleries,” The Times, June 28
• Gemma de Cruz,  “Eurovision,” Flash Art, Summer
• Sarah Lowndes, “Laura Owens: new work,” Metro Life, July
• Duncan Macmillan, “Laura Owens,” The Scotsman, July 4
• Alessandra Pioselli, “Review,” Flash Art Italia, Summer

• Terry R. Myers, Standing Still & Walking in Los Angeles, Gagosian Gallery, Beverly Hills, CA
• David Pagel, “Color Fields: Now and Then,” Artpix, issue 2
• Jan Avgikos, “Laura Owens,” Artforum, January
• Peter Frank, “Art Picks of the Week,” LA Weekly, January 8–14
• Michael Darling, “Laura Owens,” Art Issues, January/February
• Nancy Princenthal, “Laura Owens at Gavin Brown’s Enterprise,” Art In America, February
• Jim Isermann, “Jim Isermann’s Top Ten,” Artforum, April
• Christopher Knight, “Post-Boomers Spearhead the Boom,” Los Angeles Times, April 4
• Susan Morgan, “A Thousand Words: Laura Owens Talks About Her New Work,” Artforum, Summer
• Jan Tumlir, Jan Estep and Yvette Brackman, “Laura Owens: Cross-Country Trilogy,” New Art Examiner, May
• Kristen M. Jones, “Basel 1999: The Swiss Art Fair Turns 30,” Travel & Leisure, May
• Simon Maurer, “Alle gegen alle und alle mit allen,” Tages-Anzeiger, June 17
• Laura Owens, “A Project for Open City by Laura Owens,” Open City,  Fall
• Russell Ferguson, “The exchange of ideas among the living,” Cakewalk, Fall
• Sarah Kent, “Review,” Time Out London, November
• George Melrod, “Young at Art,” Los Angeles Times Magazine, November
• “Far Away, So Close,” Pittsburgh City Paper, November 3
• Steven Litt, “Exhibition of Today’s Art is a Triumph,” The Plain Dealer, November 14
• Roberta Smith, “Safe Among Seamless Shadows,” The New York Times, November 17
• Robert Pincus, “World Class Exhibition: Carnegie International Takes an Ambitious Look at Art of the Moment,” San Diego Union-Tribune, November 21
• Polly Staple, “Film sets and mad monkeys,” The Independent, November 21
• Carmine Iannaccone, “Entertainment Complex: Laura Owens,” Frieze, November/December
• Adrian Dannatt, “Old Masters of Tomorrow,” Art Newspaper, December
• Peter Plagens and Corie Brown, “Hollywood’s Big Art Deal,” Newsweek, December 6

• Laura Owens, “Contemporary Studio,* Interview with Monique Prieto, Frances Stark, and Jorge Pardo,” Cakewalk, Spring/Summer
• David Pagel, “Color Them Retro,” Los Angeles Times, August 16
• Richard Dorment, “A Brush with Young America,” Daily Telegraph, August 26
• Lane Relyea, “Virtually Formal,” Artforum, September
• Claudine Ise “Showroom,” Los Angeles Times, September 18
• David Pagel, “New Sophistication in Owens’ Landscapes,” Los Angeles Times, October 23
• Roberta Smith, “Laura Owens,” The New York Times, November 6
• Christopher Knight, “Year in Review: A Wealth of Shows and Fund-Raising,” Los Angeles Times, December 27
• Lisa Liebmann, “Best of 1998,” Artforum, December

• Kirsten Olds, “The Perks of L.A.,” The Columbia Spectator, February 6
• Peter Schjeldahl, “La-la Band,” The Village Voice, February 18
• Jerry Saltz, “Regular, No Sugar,” Time Out New York, February 27
• Rebecca Morris, “Programming Attitude: An Interview with Laura Owens,” Art Muscle, February–March
• Roberta Smith, “Laura Owens,” The New York Times, April 18
• Michal Ann Carsely, “Palace,” New Art Examiner, May
• Martha Schwendener, “Laura Owens,” Time Out New York, May 1–8
• Lisa Anne Auerbach, “Sharon Lockhart, Laura Owens and Frances Stark at Blum & Poe,” LA Weekly, June 27–July 3
• Susan Kandel, “Exploring Power of Three Among Friends,” The Los Angeles Times, July 4
• Martin Coomer, “Laura Owens,” Time Out New York, November 12–19
• Laura Owens, “On the American Job (interview with Chris Smith),” New Art Examiner, July/August
• Victoria Martin, “Sharon Lockhart, Laura Owens and Frances Stark at Blum & Poe,” Artweek, August 8
• Peter Schjeldahl, “Painting Rules,” The Village Voice, September 30
• Bruce Hainley, “Sharon Lockhart, Laura Owens, Frances Stark,” Artforum, November
• Giovanni Intra, “Sharon Lockhart, Laura Owens, Frances Stark,” Flash Art, November/December
• Michelle Grabner, “The Eagle Rock Show,” X-Tra, Number 3, December

• Stuart Servetar, “Screen,” New York Press, February
• Roberta Smith, “Laura Owens,” The New York Times, February 2
• Penelope Derethik, “Institute struts its stuff in annual show,” The Morning Journal, February 23
• Scott Sutherland, “Where High Art Shares the Fields With Sheep,” The New York Times, August 11
• Jerry Saltz, “The Speed of Painting,” Time Out New York, September

• Benjamin Weissman, “Openings: Laura Owens,” Artforum, New York, November
• Charles Morgan, “Gorgeous Politics,” Las Vegas Weekly, LasVegas, December 21